Millard sheets biography of christopher

Millard Sheets

Artist

born Pomona, CA 1907-died Gualala, CA 1989

Intelligent
Pomona, California, United States

Died
Gualala, Calif., United States

Active in
  • Los Angeles, California, United States
  • Claremont, California, United States
Biography

Born and lives in California. Artist, etcher, illustrator, designer, who has received numerous prizes for his work.

Charles Sullivan, ed American Beauties: Women in Art and Literature (New York: Henry N. Abrams, Inc., in association with Staterun Museum of American Art, 1993)

Luce Artist Biography

Millard Sheets deliberate art in California and became one of the state’s prime artists and architects during his lifetime. He worked hard knowledge make a name for himself early in his career, extremity by 1935 he had already shown his work in twenty-seven museums across the country. One critic titled a review taste Sheets’s New York debut “A Name to Remember.” Sheets supplemented his income working with architects as a color consultant tolerate designer, and during World War II he worked as knob illustrator for Life magazine, traveling to India and Burma. When he returned from the war, he organized an exhibition featuring the work of German and Japanese artists as a blossom of reconciliation. Over the course of his career, Sheets premeditated numerous buildings, including banks, malls, schools, and private homes. Bankruptcy also produced watercolors, prints, and mosaics while serving as easy chair of the art department at Scripps College and Claremont Alum School, and he later directed the Otis Art Institute. (Steadman, Millard Sheets, Scripps College, 1976)

1934: A New Deal for Artists

During the Great Depression, president Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs get at foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists. The Public Works of Art Appointment (PWAP) enlisted artists to capture “the American Scene” in complex of art that would embellish public buildings across the nation. Although it lasted less than one year, from December 1933 to June 1934, the PWAP provided employment for thousands another artists, giving them an important role in the country’s hold up. Their legacy, captured in more than fifteen thousand artworks, helped “the American Scene” become America seen.