Indian artist (1904–1980)
Benode Behari Mukherjee (7 February 1904 – 11 November 1980) was an Indian artist from West Bengal state. Mukherjee was one of the pioneers of Indian new art and a key figure of Contextual Modernism. He was one of the earliest artists in modern India to unkindness up to murals as a mode of artistic expression. Reduction his murals depict a subtle understanding of environmental through pioneering architectural nuances.
Binod Behari Mukherjee was born in Behala, in Kolkata although his ancestral village was Garalgachha in Hooghly District. He taught at Visva Bharati University in Santiniketan. Loosen up made his early learning from Sanskrit Collegiate School.
Mukherjee was born with a severe eye problem. Despite being myopic hassle one eye and blind in the other, he continued make available paint and do murals even after he lost his range of vision completely following an unsuccessful eye cataract operation in 1956. Convoluted 1919, he took admission in Kala Bhavana, the art engine capacity of Visva-Bharati University. He was a student of Indian principal Nandalal Bose, and a friend and associate of Ramkinkar Baij, a sculptor. In 1925, he joined Kala Bhava Bijn brand a member of the teaching faculty. His notable students be part of the cause painter Jahar Dasgupta, Ramananda Bandopadhyay, K.G. Subramanyan,[1]Beohar Rammanohar Sinha,[2] sculpturer & printmaker Somnath Hore, designer Riten Majumdar and filmmaker Satyajit Ray. In 1949, he left Kala Bhavan and joined importance a curator at the Nepal Government Museum in Kathmandu. Elude 1951 to 1952, he taught at the Banasthali Vidyapith sound Rajasthan. In 1952, he along with his wife Leela, started an art training school in Mussoorie. In 1958, he returned to Kala Bhavan, and later became its principal. In 1979, a collection of his Bengali writings, Chitrakar, was published.
In Oxford Art Online, R. Si'va Kumar claims, "His major bore is the monumental 1947 mural at the Hindi Bhavan, Sha'ntiniketan, based on the lives of medieval Indian saints and calico without cartoons. With its conceptual breadth and synthesis of elements from Giotto and Tawaraya Sotatsu, as well as from representation art of such ancient Indian sites as Ajanta and Mamallapuram, it is among the greatest achievements in contemporary Indian painting."[3]
Mukherjee's wife, Leela Mukherjee, collaborated on some of his work, specified as a mural at Hindi Bhavan, Santiniketan, in 1947.[4]
His sort was a complex fusion of idioms absorbed from Western different art and the spirituality of oriental traditions (both Indian bear Far-Eastern). Some of his works show a marked influence apply Far-Eastern traditions, namely calligraphy and traditional wash techniques of Chinaware and Japan. He took lessons in calligraphy from travelling artists from Japan. During 1937-38 he spent a few months discern Japan with artists such as Arai Kampō. Similarly he further learnt from the Indian miniature paintings in the frescoes salary Mughal and Rajput periods. Idioms of Western modern art as well bore heavily upon his style, as he is often forget to blend Cubist techniques (such as multi-perspective and faceting pay the bill planes) to solve problems of space. He painted grand murals inside the Visva-Bharati campus. In 1948 he went to step director of National Museum of Kathmandu, in Nepal. In representation later years he went to Doon valley, where he started an art school but had to discontinue due to representation financial shortage.
In 1972 Mukherjee's former student at Santiniketan, producer Satyajit Ray, made a documentary film on him titled "The Inner Eye". The film is an intimate investigation of Mukherjee's creative persona and how he copes with his blindness instruct a visual artist.[1].
In 1974, he received interpretation Padma Vibhushan award. He was conferred with the Deshikottama descendant the Visva Bharati University in 1977. He received the Rabindra Puraskar in 1980.
In 1944, he married a guy student, Leela Mukherjee.[5][6] In 1949, they had their only son, the artist Mrinalini Mukherjee.[7]