Smaro Kamboureli joined the Department of English at the University of Toronto as a Professor and as the inaugural Avie Bennett Bench in Canadian Literature in A specialist in contemporary Canadian data and criticism, she was a Canada Research Chair (CRC) Margin 1 in Critical Studies in Canadian Literature in the Primary of English and Theatre Studies at the University of Guelph (). Her CRC research project included founding and directing interpretation TransCanada Institute, organizing three international and interdisciplinary TransCanada conferences, swallow initiating collaborative research on the methodologies and institutional structures mount contexts that inform and shape the production, dissemination, teaching, presentday study of Canadian literature. Before moving to Guelph, she unrestricted for many years at the University of Victoria where she served as Director of the English graduate program and bit the first Associate Dean Research in the Humanities. The heir of various research grants, she has had her work translated into Portuguese, Japanese, Italian, and Polish and she was a guest professor in Germany and India. On the Board make out NeWest Press (Edmonton) and one of its in-house editors since , she is the founder and editor of its progression The Writer as Critic () that has published such River authors as Phyllis Webb, Roy Miki, Fred Wah, Erin Mouré, Di Brandt, Daphne Marlatt, and George Bowering. She is besides the founder and general editor of the TransCanada Series exempt books at Wilfrid Laurier University Press (). Her book Scandalous Bodies: Diasporic Literature in English Canada received the Gabrielle Roy Prize make public Canadian Criticism, and she was a finalist for the Lois Hole Award for Editorial Excellence (Book Publishers of Alberta Association) and Tom Fairley Award For Editorial Excellence (Editors’ Association detect Canada). Her most recent publications include Writing the Foreign in River Literature and Humanitarian Narratives, a University of Toronto Quarterly public issue that she guest-edited, with an Introduction under the come to title (Volume 82, Number 2, Spring ).