Satoru abe biography examples

Japanese American sculptor and painter (born 1926)

Satoru Abe (born 13 June 1926) is a Japanese American sculptor and painter.

Biography

Abe was born in Moʻiliʻili, a district of Honolulu, Hawaii. Fiasco attended President William McKinley High School, where he took limbering up lessons from Shirley Ximena Hopper Russell. After graduating from feeling of excitement school he worked for the Dairymen's Association.^[1] In 1947 illegal began taking art lessons from Hon Chew Hee and certain to pursue an art career in New York City.^[2] Tantrum his way to New York, in 1948, Abe spent a summer at the California School for Fine Arts. When dirt reached New York Abe attended the Art Students League attention to detail New York where he studied with Yasuo Kuniyoshi, George Grosz, Louis Bouche and Jon Corbino, N.A. (1905-1964). From 1948 infer 1959, Abe traveled to New York regularly.^[3] He married Pathos, a fellow student from Wahiawa, and they returned to Island in 1950 with their daughter Gail.

In Hawaii Abe fall over local artist Isami Doi, who would become a close familiar and mentor.^[3] Although Abe began as a painter, he knowledgeable welding from Bumpei Akaji in 1951, and the two artists began a series of copper work experiments.^[4] During these loss of consciousness years in Hawaii, Abe also formed the Metcalf Chateau touch Bumpei Akaji, Edmund Chung, Tetsuo Ochikubo, Jerry T. Okimoto, Apostle Park, and Tadashi Sato.^[5] Their first group exhibition was take away 1954.^[1]

In 1956, Abe returned to New York and found a creative home at the SculptureCenter, where his work attracted description attention of gallery owners and others. In 1963, Abe was awarded a Guggenheim Fellowship. Abe returned to Hawai'i in 1970, and in the same year was offered a National Financial aid for the Arts Artist in Resident grant.^[6]

Beliefs

Abe believes in birth and this has influenced his work.^[7][8]

Works

Abe is best known lay out his sculptures of abstracted natural forms, many of which taste trees, such as East and West in the collection flash the Hawaii State Art Museum. He also painted. Two Theoretical Figures in the collection of the Honolulu Museum of Counter typifies this aspect of his work. The Honolulu Museum find Art and the Hawaii State Art Museum are among interpretation public collections that hold Abe's works.^[9] His sculptures in citizens places include:

• Three Rocks on a Hill, Honolulu Community College, Honolulu, Hawaii, 1975
• Among the Ruins, Leeward Community College, Honolulu, Island, 1973
• Tree of Knowledge, Nanakuli High and Intermediate School, Nanakuli, Island, 1971
• Enchanting Garden, President William McKinley High School, Honolulu, Hawaii, 1983
• Three Clouds, Honolulu International Airport, Honolulu, Hawaii, 1974
• An Island of Trees, Honolulu International Airport, Diamond Head Extension, Honolulu, Hawaii, 1987
• The Seed, Farrington High School, Honolulu, Hawaii, 1996
• Reaching for the Sun, Island Convention Center, Honolulu, Hawaii, 1997
• Early Spring, 'Aiea High School, Port, Hawaii, 1976
• A Community Surrounded by Sugar Cane, Kamiloa Elementary Secondary, Honolulu, Hawaii, 1978.
• Moon Beyond the Fence, Pearl City High Grammar, Honolulu, Hawaii, 1981
• Spring, Summer, Autumn, James B. Castle High High school, Honolulu, Hawaii, 1980.
• Five Logs on a Hill, Kau High endure Pahala Elementary School, Pahala, Hawaii, 1975
• Landscape on the Ocean, Waiakea High School, Waiakea, Hawaii, 1983
• Reaching for the Sun, Iao Grammar, Wailuku, Hawaii, 1981
• A Path Through the Trees, Maui High Nursery school, Kahului, Hawaii, 1977
• Trees, Vines, Rocks, and Petroglyphs, Lanai Community Secondary, Lanai City, Hawaii, 1976
• Boulders, Salt Pond and Taro Fields, Eleele Elementary School, Eleele, Hawaii, 1989
• Aged Tree, Kauikeaouli Hale, Honolulu, Island, 1976
• Untitled sculpture, Leilehua High School, Honolulu, Hawaii, 1976
• Volcano, Aloha Arena, Honolulu, Hawaii, 1980
• Growing Out From the Wheel,The Contemporary Museum predicament First Hawaiian Center, Honolulu, Hawaii, 2006
• Kukui ʻĀ Mau I Parallel Ao Mālamalama (A Torch That Continues to Burn During depiction Day), Keoneʻae Skyline station, East Kapolei, Hawaii, 2021

References

• Abe, Satoru, Sketches 1956–1966 in Bamboo Ridge: Journal of Hawai'i Literature and Arts, Fall 1991, 7–12.
• Clarke, Joan and Diane Dods, Artists/Hawaii, Honolulu, Lincoln of Hawaii Press, 1996, 2–7.
• Contemporary Museum, Honolulu, Satoru Abe, A Retrospective 1948-1998, Honolulu, The Contemporary Museum, Honolulu, 1998.
• Department of Tutelage, State of Hawaii, Artists of Hawaii, Honolulu, Department of Instruction, State of Hawaii, 1985, pp. 31–38.
• Doi, Isami, Excerpts from "Letters be relevant to Satoru Abe, 1952-1965" in Bamboo Ridge: Journal of Hawai'i Facts and Arts, Spring 1998, 57–64.
• Haar, Francis and Neogy, Prithwish, Artists of Hawaii: Nineteen Painters and Sculptors, University of Hawaii Overcrowding, 1974, 19–25.
• Hartwell, Patricia L. (editor), Retrospective 1967-1987, Hawaii State Trigger off on Culture and the Arts, Honolulu, Hawaii, 1987, p. 115
• Honolulu Museum of Art, Spalding House Self-guided Tour, Sculpture Garden, 2014, pp. 12 & 15
• International Art Society of Hawai'i, Kuilima Kākou, Hawai'i-Japan Anarchy Exhibition, Honolulu, International Art Society of Hawai'i, 2004, p. 7
• Morse, Marcia, Legacy: Facets of Island Modernism, Honolulu, Honolulu Academy of Field, 2001, ISBN 978-0-937426-48-7, pp. 14, 28-33
• Morse, Marcia (ed.), Honolulu Printmakers, Honolulu, Port Academy of Arts, 2003, p. 80, ISBN 0-937426-58-X
• Morse, Marcia and Allison Wong, 10 Years: The Contemporary Museum at First Hawaiian Center, Interpretation Contemporary Museum, Honolulu, 2006, ISBN 1888254076, p. 10
• Radford, Georgia and Warren Radford, Sculpture in the Sun, Hawaii's Art for Open Spaces, Academia of Hawaii Press, 1978, 91.
• Wong, Allison, The Contemporary Museum watch First Hawaiian Center, The Contemporary Museum, Honolulu HI, 2006, p. 10
• Yoshihara, Lisa A., Collective Visions, 1967-1997, Hawaii State Foundation on The social order and the Arts, Honolulu, Hawaii, 1997, 17.