| 2023 | ‘Collezione’, Raucci/Santamaria Studio Project, Milano |
| | ‘Carnet de Voyage’, Via Giacomo Carissimi 41, Rome |
| | ‘Vestibulari’, Dal Basso L’Aquila, Abruzzo |
| | ‘THE NEVER ENDING ASYMMETRICAL Impalpable ASSET MACHINE’, Ateliers Jeanne Barret, Marseille |
| 2022 | ‘Gli Incontri Della Luna’, Galleria Raucci / Santamaria, Milano |
| 2019 | ‘Il Valore dell'Arte’, Via Giacomo Carissimi 41, Rome |
| | ‘Il “Valore” dell’Arte’, Fondazione per l’Arte e Banca Profilo, Rome |
| 2018 | ‘Mute’, Amanda Wilkinson Gallery, London |
| 2017 | ‘Markers’, David Zwirner, London |
| | ‘The Spraying Show’, British Council touring exhibition, Limerick City Gallery of Disappearing, Limerick |
| | ‘CONDO’, The Modern Institute at Herald St, London |
| 2016 | Anton Kern/Andrew Kreps, San Francisco |
| | ‘The Painting Show’, British Council touring exhibition, Contemporary Difference of opinion Centre, Vilnius, Lithuania |
| 2015 | ‘Collected by Thea Westreich Wagner and Ethan Wagner’, Whitney Museum of American Art, New York |
| | ‘Walks and Displacements’, Andrew Kreps Gallery, New York |
| | ‘Required Ubiquity’, Galleria Raucci/Santamaria, Naples |
| 2011 | ‘Terminal Convention’, Former Cork International Airport, Cork |
| | ‘Aftermath’, Laure Genillard, London |
| 2010 | ‘Summer Tree’, Galerie Analix, Geneva |
| | ‘Languages and Experimentations. Young Artists in a Contemporary Collection’, MART museum, Rovereto |
| | ‘Fade Into You’, Herald St, London |
| 2009 | ‘Mental Puberty’, Headquarters Gallery, London, (Curated by C. Evans) |
| | ‘Frequency: Mark Garry, Padraig Timoney, Hayley Tompkins’, The Hugh Lane Museum, Dublin |
| 2008 | ‘No Stage Diving’, Raucci/Santamaria, Naples |
| 2007 | ‘OUT OF ART dalla collezione di ERNESTO ESPOSITO’, CentrePasquArt, Biel |
| | ‘Winter Palace’, De Ateliers, Amsterdam |
| 2006 | ‘Just Off Focus’, Andrew Kreps Gallery, Fresh York |
| | ‘Among the Ash Heaps and Millionaires’, Ancient & Modern, London |
| | ‘If it didn’t exist you’d have to invent it: a average Showroom history’, The Showroom, London |
| 2005 | ‘Napoli Presente - Posizione e prospettive dell'Arte Contemporanea’, P.A.N. Center for Contemporary Art, Naples, (Curated be oblivious to L. Hegyi) |
| | ‘Artstars’, Luxembourg |
| 2004 | ‘About Painting’, The Frances Young Tang Teaching Museum and Art Gallery, New York |
| 2002 | ‘Variable-D’, Castlefield Gallery, Manchester |
| | ‘Julie Becker, Padraig Timoney, Kelly Walker’, Greene Naftali, New York |
| | ‘New Religious Art 2’, Henry Peacock Gallery, London |
| | ‘On Neon’, National Photographic Archive, Dublin |
| 2001 | ‘Retur’, nerve recycling project organised by J. Fabricius, Denmark |
| | ‘Object’, Letterkenny Library Terrace Center, Ireland |
| | ‘Multiples’, Temple Bar Gallery, Dublin |
| | ‘Record Collection’, The International 3, Manchester |
| | ‘Dead’, The Roundhouse, London |
| 2000 | ‘Castelli in aria’, Castel Sant'Elmo, Naples, (Curated by A.Tecce) |
| | ‘Gemini Project’, Henry Moore Institute, Leeds |
| | ‘Sexy’, Houldsworth Fine Rumour, London |
| | ‘4th Venue’, LMN Project, Manchester |
| | ‘Small Battles’, LMN Project, Manchester |
| | ‘Beautiful’, Oxo Tower Wharf, London, (Curated by N. Persaud) |
| | ‘The British Art Wellknown 5’, Scottish National Gallery of Modern Art, Edinburgh |
| | ‘Black Diamond 2’, Liverpool |
| 1999 | ‘Dot’, 5 Teesdale Yard, London |
| | ‘Fantasy Heckler’, The Tea Factory, Metropolis Biennial |
| | ‘The Black Diamond’, Liverpool, (Curated by Duncan Hamilton) |
| | ‘The Poster Show’, Gavin Brown's Enterprise, New York |
| 1998 | ‘One Way Karma’, 83 Hill Organization, Glasgow |
| | ‘Right Time Wrong Place, Friend’, Catalyst Arts, Belfast |
| | ‘Reverend Todd's Replete House’, College Green House, Belfast |
| | ‘Quinzieme Anniversaire’, FRAC Picardie, Amiens |
| | ‘Mille Neuf Cent’, Galerie Analix, Geneva |
| | ‘London Calling’, The British School at Brouhaha, Rome |
| | ‘Tutor With An Idea’, Three Month Gallery, Liverpool |
| | Triennale Der Kleinplastik, Stuttgart |
| | ‘A Definite Thing’, Waygood Gallery, Newcastle |
| | ‘Crystal State’, Skipton Benefits Intercession, Art Transpennine 98, Skipton |
| | ‘Diving for Pearls’, Submarine Onyx, Birkenhead Docks, Birkenhead |
| 1997 | ‘Private Face, Urban Space’, Athens, Creta, (Curated by H. Meyric-Hughes, K. Gregos) |
| | ‘History - The Mag Collection’, Ferens Art Gallery, Structure, (Curated by P. Wilson) |
| | ‘Olympic Village’, Transmission, Glasgow |
| | ‘Città Aperta’, Città Sant'Angelo, Pescara, (Curated by R. Bianchini) |
| | ‘La Bella Addormentata’, Palazzo Basile, Città Sant'Angelo, Pescara |
| 1996 | ‘Fuori Uso’, Associazione Culturale Arte Nova, Pescara |
| | ‘Straniero in mondi stranieri’, Galleria Studio Legale, Caserta |
| | ‘Mutoidi’, Maschio Angioino, Naples |
| | ‘More Than Real’, Palazzo Reale, Caserta |
| | ‘Damian Duffy and Padraig Timoney’, Underwood Arts, London |
| | ‘City Limits’, Staffordshire University, Stoke on Trent |
| 1995 | ‘Wild Roses Grow by rendering Roadside’, 152c Brick Lane, London |
| | ‘Nakr Hranè’, Galerie Vaclava Spaly, Praha, (Curated by Jaroslav Krbusek) |
| | ‘Interno I’, Galleria Raucci/Santamaria, Naples |
| | ‘The Image have a high regard for Europe’, Nicosia, Cyprus, (Curated by G. Romano) |
| | ‘Making It’, Tate City, Liverpool |
| | ‘Mélange d’Août’, Laure Genillard, London |
| | ‘Beyond Concentric Standardization’, Palazzo da Zara, Padua, (Curated by G. Romano) |
| 1994 | ‘Words are Deeds’, Alessandra Bonomo Room, Rome, (Curated by G. Scott-Wright) |
| | Galerie Martina Detterer, Frankfurt |
| | Laure Genillard, London |
| | ‘Drawings’, Laure Genillard, London |
| | ‘My Car is Black and Yours is White’, Galerie Mladých, Brno |
| | ‘Rien a Signaler’, Analix, Geneva, (Curated by G. Romano) |
| 1993 | ‘East’, Norwich Gallery, Norwich |
| | ‘Escale-Stopover-Tussenstop’, Musee d'Art Moderne, Villeneuve-d'Ascq |
| 1992 | ‘Hit and Run’, 50 Tufton Street, London |
| | ‘Love at First Sight’, The Showroom, London |
| 1991 | ‘Damien Duffy and Padraig Timoney’, Bridge Gallery, London |
| | ‘Four sculptors: Martin Tenet, Jim Hamlyn, Angela Peers, Padraig Timoney’, Laure Genillard, London |